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Shaolin Kempo Karate

The Shaolin Kempo Karate fighting system as taught in Villari's Martial Arts Centers has become widely recognized and respected in the last three decades, and our international organization of martial arts studios has grown to be the largest such organization in the world. The art traces its origin over a thousand years to the Shaolin Temples of China and India, and many of the basic methods are still used. The present form has evolved and has become renowned for its very effective four ways of fighting. These evolutionary changes in the style were necessary due to the cultural development of man, and the technological development of many different types of weapons. People are bigger, stronger and much more knowledgeable about weapons and methods of combat. Therefore, movements had to be changed and updated to suit the 20th century. Our Shaolin Kempo Karate system combines the Four Ways of Fighting into ONE.
The Shaolin temple was first built around 495 AD by a Chinese Emperor Hsiao Wen for an Indian monk Batou or known by the Chinese as Fo Tuo. It was in the great Shaolin temple in Songshan Mountain of central China that Bodhidharma, a sixth century Indian monk, first introduced Buddhism and powerful meditation methods and fighting techniques. He introduced the temple monks to various forms of breathing exercises based on animal movements. These exercises were primarily for strengthening and conditioning the body. Bodhidharma taught the monks these exercises to purify their bodies and develop inner strength. Then, came the movements of animals, which were taught for self-defense purposes. Over a period of time, the monks changed and perfected these movements, gearing them towards fighting. This style became known and feared as the art of Shaolin Temple Boxing. Buddhism and Shaolin Temple Boxing or Shaolin "Ch'uan Fa" were the Shaolin Temples' main legacy to the world. So it was in China that the philosophical and religious systems upon which many martial arts depend was first created and nurtured. The teachings of Lao Tzu, Confucius and Buddha were blended with the development of the various Chinese martial art systems, which spread to many other Asian countries.

In the 1600's, Japan conquered Okinawa, so the people of Okinawa were restricted from using any weapons to prevent retaliation. The natives had no alternative but to practice the art of empty hand fighting known as Te. This name was derived from the Chinese T'ang Dynasty, when many empty hand styles were developed. It was eventually brought to Japan where even more styles developed.
Long before either the Chinese or the Okinawans practiced and developed their arts, the Tibetans and Mongolians had their own form of combat from which the venerable art of "Chin na" or the Art of the White Tiger, was further developed - a devastating form of locking, seizing, holding, and grappling.
Villari's Shaolin Kempo Karate system was founded and developed by Grandmaster Villari. After many years of studying and mastering numerous styles of the martial arts including: Shaolin Temple Boxing, Jiu Jitsu, Kung Fu, Kempo, various styles of Karate, as well as the secret art of the White Tiger (Chin na) Grandmaster Villari arrived at a great realization.
As a result of Grandmaster Villari's varied wealth of experience and his dedication to seeking the ultimate fighting system, he realized each fighting system offered something both unique and special, and each also had its glaring weaknesses that would make a fighter vulnerable. After studying and mastering many different styles and principles, Grandmaster Villari realized that there were only four ways of fighting.
1. Hitting (da) - with your hands (striking with hands open or closed) or using any part of the upper body to hit with: arms, elbows, forearms, shoulders, head, etc.
2. Kicking (ti) - with the legs, using the foot, toes, knee, and shin.
3. Felling (shuai chiao) - that is to knock an opponent off his feet by throwing, tripping, pulling, shoving, sweeping, or scooping him.
4. Grappling (na) - The secret of grappling is to always have control of your opponent, by either wrestling, holding and locking joints, or attacking nerve centers, thereby directing your opponent by delivering excruciating and incapacitating pain.
Grandmaster Villari finally discovered that the ultimate in self-defense lay not in one way or style of fighting, but by combining the Four Ways of Fighting. He then devised and developed ways to integrate these diverse methods of fighting into one, thereby, eliminating any and all weaknesses and vulnerabilities. This is the CORE, THEORY, and METHODS behind Villari's devastating and impregnable art of Shaolin Kempo Karate.

The Shaolin fighting method is the backbone of the Villari system as Grandmaster Villari felt it was the best for promoting overall good health and longevity. The system is very well balanced, incorporating the mind, body and spirit into one. It is a system that promotes health and wisdom. On the fighting side, Shaolin is renowned for its awesome devastating kicking and punching techniques. It is the only system that incorporates the movement of The Five Animals: Tiger, Crane, Dragon, Snake, and Leopard. Shaolin theory of fighting is based on circular movements, speed, conditioning, and developing strong internal energy, tendons, and ligaments. This is the essence for producing a superior fighter.
Karate is also highly favored by Grandmaster Villari, and he regards it as simple and quick to both learn and execute. It's known for its linear and angular movements with its quick shuffles and in line fighting movements. Karate type blows are more mechanical in execution than Shaolin. They are also more explosive. Karate concentrates more on the external. Fewer moves are required to get the job done.

Grandmaster Villari utilizes the art of Kempo because it is a mix of both hard and soft movements that blend nicely, but is not sophisticated enough by itself. Kempo lacks the grace of Shaolin with its integrated leg maneuvers, the quick shuffles and footwork of karate, and the explosion of Hard Karate.
Shaolin movements are more fluent than either Kempo or Karate and consist of more patterns of multiple strikes. The weakness here is that there are too many wasted movements that create openings for counter-attack. Karate, on the other hand, has too few movements and is too rigid to stand alone. Shaolin takes longer to master than Karate, but once mastered, your blows are delivered more effectively because Shaolin is a balance of the body's external strength and the internal power found within. Each system offers something to compliment the other. By combining the circular and linear movements together, the end result is much more superior than either alone.
Fred Villari's Shaolin Kempo Karate system also incorporated the Venerable Art of Chin na, the ultimate form of controlling your opponent by holding, seizing, locking, throwing, felling, and delivering pain that can be controlled. This art gives you powerful control over your attacker.

Grandmaster Fred Villari
The Six Circles of Shaolin provides an overview of the system and includes:
1. Basics, 2. Forms, 3. Combinations, 4. Improvised Attack Responses, 5. Sparring and 6. Self-Defense


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